If we already killed the Christian God, how do we kill his shadow that still lingers?
No more Christian God = no More Christianity = Closer to freedom from herd conformity, stupidity, self deceit, Pretentiousness, Solipsism, Lack of Perspective, Forgetfulness of Past Orthodoxies, Counterproductive Pride, and Lack of Aesthetics.
The question is from Nietzsche. The question is how do we rid the world of this fake, all knowing god
Graffiti
God is dead
– Fred -
Fred is dead
– God -
Christian Singing “The Scene Aesthetics”
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Sol-Angel and the Hadley St. Dreams INCLUDES 1 EXTRA BONUS TRACK Track Listing 1. God Given Name 2. T.O.N.Y. 3. Dancing In The Dark 4. Would’ve Been The One 5. Sandcastle Disco 6. I Decided – Pt. 1 7. Valentine’s Day 8. 6 O’Clock Blues 9. Ode To Marvin 10. I Told You So 11. Cosmic Journey – (featuring Bilal) 12. This Bird 13. I Decided – Pt. 2 (remix) Details |
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Eternal Aesthetics $8.99 … |
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Vibrant Aesthetics (Guitar Meets Thavil) $8.99 … |
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Art for God’s Sake: A Call to Recover the Arts $2.75 The creation sings to us with the visual beauty of God’s handiwork. But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church. If all of life is to be viewed as “under the lordship of Christ,” can we rediscover what God’s plan is for the arts? Philip Graham Ryken brings into sharp foc… |
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Beauty Will Save the World: Recovering the Human in an Ideological Age $19.77 Culture, Not PoliticsWe live in a politicized time. Culture wars and increasingly partisan conflicts have reduced public discourse to shouting matches between ideologues. But rather than merely bemoaning the vulgarity and sloganeering of this era, says acclaimed author and editor Gregory Wolfe, we should seek to enrich the language of civil discourse. And the best way to do that, Wolfe believes, i… |
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An Introduction to Kant’s Aesthetics $29.55 In An Introduction to Kant s Aesthetics, Christian Wenzel discusses and demystifies Kant s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant”s main points. |
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Christian and Oriental Philosophy of Art $7.95 9 of the most famous essays by the preeminent philosopher and art historian, exploring such subjects as the true function of aesthetics in art and the importance of symbolism. |
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Christianity And Literature $24 In this book David Lyle Jeffrey and Gregory Maillet offer a feast of theoretical and practical discernment. After an examination of literature and truth, theological aesthetics, and the literary character of the Bible, they turn to a brief survey of literature from medieval times to the present, highlighting distinctively Christian themes. |
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Creative Chords, Studies in Music, Theology and Christian Formation $24.95 This collection of papers provides a synoptic view of the relationship between music, theology and Christian learning. It includes theological reflections on the nature and power of the musical experience, together with psychological, philosophical and educational perspectives; and draws on practical experience and empirical research. Topics covered include: Composing, performing and listening; worship and hymnody; classical music and jazz; Christian theology and spirituality; aesthetics, education and learning, and the psychology of music. Contributors include: James MacMillan, Martin Haselbock, Jeremy Begbie, John Sloboda, Bill Hall, Ian Ground, Michael Sadgrove |
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Emotion and Meaning in Music $23.75 Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning. –David Kraehenbuehl, Journal of Music Theory This is the best study of its kind to have come to the attention of this reviewer. –Jules Wolffers, The Christian Science Monitor It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art. –David P. McAllester, American Anthropologist A book which should be read by all who want deeper insights into music listening, performing, and composing. –Marcus G. Raskin, Chicago Review |